There are two types of people studying violin or viola: the musician who wants to be the best and doesn’t seem to like music, and the “pro-fans” who believe music is just for them because they are good.
There are two types of people studying violin or viola: the musician who wants to be the best and doesn’t seem to like music, and the “pro-fans” who believe music is just for them because they are good. What is the name of the violin concert hall?
The New York City Symphony’s Manhattan home is “The Metropolitan,” a nod to the city’s illustrious music history. But it means more than that, too, for there is much more history. It is named in recognition of the orchestra’s birthplace in the late 1800s, when it was part of the American Symphony, and for its current home: an elegant stone building inside St. Nicholas Church’s Gothic Gothic Arch. There is also the famous “stade” (which means “a stage”) at the East River, the “concert hall,” and the “café” at the Bowery.
What is the origin of cello, and is there a cello-specific academy?
It’s true! Cello schools, which are free to play in public for anyone who wants to learn the instrument, are often taught to newcomers. In the late 1800s, the New York Conservatory of Music was a big help, and a young violinist named Ludwig Van Beethoven would spend hours at that edifice, practicing on his cello. Since then, the American Cellist’s Society developed, and in the mid-1930s, the National Cellist Society opened its first academy (for soloists). Today, there are several cell-school programs around the world.
What sort of school are you in?
We are the New York School of the Arts and Design, a one-year residential public school designed specifically for musicians at all levels. We teach an advanced level of violin, music theory, and composition in the fall and spring semesters, and a concert program in the summer that emphasizes the student’s work in concert.
Who is the orchestra’s director?
The head of our orchestra is Stephen Schwartz, a concert musician and former president of the American Federation of Musicians. Last year, he was named one of Time magazine’s 100 Most Influential People in the Music Business. Other top positions are
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