To play the violin in a concert, you need a teacher. A few things:
you have to be comfortable playing with your arms spread and your back straight.
you really have to learn to let go. If you get too tense in your hands, you’ll be unable to play or enjoy.
the teacher has to be good. This is a very important point. If the teacher is not at all good he will not improve. His words only mean what the students want to hear. If you hear too many bad opinions, then you want to be sure he has a good word or two to back it up. You need to learn to let go and be confident.
you need to be careful. No one likes to hear “poor technique”. Even the most talented teachers make a mistake every now and then. But if you want to make a good violin player you need to be very sensitive to all of the potential problems and risks in playing. This is what has made me the most successful violinist I ever have been.
the teacher also has to be very gentle. He can often be very controlling and will do things such as stop you playing right away or ask questions or comments you do not want to talk about.
the teacher needs to have good hands and fingers. These need to be good enough to handle many different types of sounds. Many violinists have difficulty with sharp sounds and will have great difficulty with even moderate or delicate sounds.
The last point is, of course, that the teacher also needs to be in the music. I always think of playing in the symphony, as the orchestra needs the perfect musician in each section to lead them to success. As far as this is concerned, most teachers are not even in the musical section.
How do I determine which teacher to work with?
A teacher can be difficult to work with, as there are so often going to be differences in their beliefs, methods and approach to the world. One very interesting difference that comes out in my work at St. Luke’s is the differences between the classical schools, which we call the classical, and the non-canonical schools.
The classical schools are taught by people of experience and are very careful with what they teach, and with how they teach. Some people will just tell you what the school’s teaching should be, without giving it or teaching it well. In practice, these teachers often lack the ability to provide great music to the students. When
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