Here’s the trick to it: Look, mirrorless cameras are still super expensive, and their mirrorless capabilities aren’t quite as robust as DSLRs. DSLRs are generally not designed in such a way that the camera performs at its best when using an old, cheap mirrorless lens. If you’re not a DIY shooter, there’s no substitute for a kit with a decent lens in it. There are also several inexpensive, professional camera lenses that make shooting with mirrors fun. If you need a mirrorless lens, we’ve all seen them. It doesn’t really matter, though, so long as your film is decent and your camera is able to handle it.
If you want your film to feel like it was shot on film, you need something that lets you shoot at high ISO. As a rule of thumb, ISO 1600 can be used as a rough limit for most filmmakers, but if you shoot film at higher ISOs (like 35mm or 50mm), you can generally shoot ISO 2500 for better quality. For example, a 28mm F2.8 would give you a good starting point for a fast, low-ISO photo, when using a 28mm 1.4, an 85mm 2.8, the 105mm 2.8, or a 180mm F3.5. But I don’t want to put the blame on photographers who can shoot with film, but on the whole these lenses are very good for beginners. You might also want to take a look at the new, ultra-expensive lenses like the Canon 24-70mm F2.8, the Canon 24-70mm F2.8L and the Canon 1D X. But that’s another story.
Can a DSLR help you?
Yes, they can. The only caveat is that if you intend on shooting with a DSLR and you’d like to be able to shoot 4×5 film, you’ll need the Canon 1D X. So if you’d like to shoot 3X5 paper negatives, or the odd 8X13 shot, you’ll need to go straight to the Canon 1D X. With a little bit of time and patience, you can turn a Canon 1D X into a super-fast shooter, and a nice film camera into a fast, easy-to-carry camera. (For more on that, check out The Canon 1D X vs. the Sony a7R II vs. the Panasonic GH4 vs. Canon EF 24-70mm F2
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